9/23/2023 0 Comments Final cut pro 10.3.4 remove media![]() ![]() ![]() DITs also often bake a ‘dailies’ LUT into the footage for viewing during the edit, and so you’ll want to be able to go back to the original files for the final grade. Proxy workflows are also vital in colour grading workflows if you want to be able to go back to the original camera files for grading with full access to all of the dynamic range and raw controls. So having a robust and efficient proxy workflow, to be able to edit with smaller, faster files, is crucial for post-production. These days this is mostly due to large file sizes and the computationally difficult nature of some camera negative high res media. ![]() Proxy Workflows for Your Video Editing Software
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